Essay Sample on Athanasius and the Incarnation of the Word

Essay Sample on Athanasius and the Incarnation of the Word Athanasius utters his theological views about the incarnation of Word of God as Christ Jesus. He is addressing Jews, gentiles and the whole world, in this talk. Athanasius develops his talk from what John says in the Gospel according to John that In the beginning was the Word, and the Word was with God, and the Word was God. The same was in the beginning with God. All things were made by him; and without him was not any thing made that was made. (John 1:1-3). Word of God is completely divine and it is the Word of God that made the whole universe evolve. Word of God manifested in human form as Christ Jesus and represented the love and goodness of father in the world, gifting precious salvation that human beings never deserved. Each and every evolution and all renewal that is happening in the world were brought by the same Word of God that made everything evolve from nothing, long centuries back. Creation as well as salvation is from the same root the Word of God. Father almighty has a ssigned the duty of dispensing salvation to the world to nobody else but to his Word (Christ Jesus) who is responsible for the creation of the world. The author rules out the opinion that the universe is self originated. He argues that there is a mastermind behind all these wonderful creations and nothing will appear in this beautiful fashion unless or otherwise some one plans it in his mind. Athanasius called Lord, the designer and maker of everything and brushed off the concept of spontaneous generation. Other theories that explained creation like the The Epicurean theory, Platos argument and the Theory of Gnostics were all completely disproved by Athanasius. Athanasius says that God is the fountainhead of all goodness and it is impossible for him to me merciless towards something for which he is the father and possessor. He made everything out of nothing through his powerful most word which is our savior and Lord Jesus Christ. Mankind had a special seat in his heart from the very beginning and greatly enjoyed the privilege of his mercy and love. He honored man, which is another creation that evolved from the power of the Word of God, and presented a special grace and molded him in his own image. This was a manifestation of the mind and power of God in human beings (even though in a limited degree) which will come to its fulfillment in the resurrection of human body during the rapture in the mid-air. He kept them in the Eden Garden so that they could enjoy the grace and keep the beauty of the original innocence just protecting them from a single prohibition. If they had abided in the grace of God they could enjoy the splendor of Eden Gard en in the assurance of the immortality offered by God. Since they discarded the beauty of innocence and the precious inheritance, they became liable to death and corruption. God not only created man but also bestowed life through his breath by the power and might of his word. Man, however, bid death and corruption by being disobedient to God and obeying the counsel of devil, the destroyer. He ignored his eternal inheritance and went after corruption and wickedness. Man transgressed all the commandments and his corruption passed all limits. They invented new Gods for them (worshipped idols of stone and tree) and absolutely defiled their own soul. As St. Paul says, they worshipping the creature rather than the Creator. He devised new kinds of sins moving from bad to worse and never ever remembered the commandments f God. Murder and rapine ruled the world; thefts, adulteries and other corruptions conquered man. All kinds of iniquities and sins grew wild and shook the very basic of justice existed in the world. Cities fought with cities, nations had fights among each other. Various other fighting factions arose disturbing the peace and law of the world. Scri pture says, Their women changed the natural use into that which is against nature; and the men also, leaving the natural use of the woman, flamed out in lust towards each other, perpetrating shameless acts with their own sex, and receiving in their own persons the due recompense of their pervertedness. God wanted to reestablish the fellowship between man and God and planned to step down from heaven to earth in human form with the most beautiful gift that he can offer to mankind, the salvation. God wanted to deliver man from the law of death and desired to establish incorruption in him. The law of death which was prevailing upon man as a result of transgression also could not be taken back so that man could escape. It was unbearable for God to ignore something which was evolved as a result of the Word of God. The everlasting love and mercy of God invited the sinful man back to the presence of God. Bringing out man from corruption by bringing a simple repentance in him will not help him come out of the law of death which God cannot annul easily because of its origin from the Word of God. A simple repentance cannot reestablish the lost glory, divine beauty and the wonderful inheritance that man once possessed. The Word of God (Jesus Christ) had to redeem man from corruptibility and si n and also had to preserve the stability of the will of the God, and above all, he had to be ambassador of the heaven in earth for carrying out the plans of God. The Word of God (Christ Jesus) was the most incorruptible and incorporeal being that entered the earth in a new way stepping down from his position in heaven and expressing his love and responsibility concerning mankind which was once evolved as a result of him. He could have revealed himself in a form that establish his divine majesty and power, but took the form of a man, preparing his human body as a temple for God to dwell. It was heartbreaking for him the scene of corruption and death reigning over something for which he is the artificer. He, taking the body of a human being surrendered it to death, showing the complete submission to the will of God and obeying the rule of death (which was also evolved through the Word of God) like all other men. He revealed his sheer love for mankind by submitting to death, (thereby a bolishing the rule of death and destroying the corruption) and uplifting the status of man to incorruptibility through the power of his resurrection. Both the birth and death of savior was not in a usual way. He originated from Holy Spirit choosing virginity as his mother so that no man can ever doubt his incorruptibility and divinity. He offered his body as a sacrifice and God and chose a crucified death for him since he is liable neither to sin, nor to sickness or any other form of affliction. Cross revealed his heavenly mission and true death, his body being the witness before whole world, heaven and hell. His death on the cross was very reasonable and was an open proclamation to the whole world about the free salvation offered at the cross. The physical form of Word of God being dead in the cross for the sake of humanity, rose up on the third day impassible and incorruptible as a pledge and token of the victory over sin, corruption and mortality. He displayed his body alive disp laying his incorruptibility, immortality and revealed his mind to his disciples. The Word of God demonstrated his perfect love over his masterpiece (human beings) by offering his precious life as a sacrifice for them. The crucified Word of God was visible to the whole world, both Jews and gentiles. Jews were given proper revelation about the birth and death of Christ Jesus (the Word of God) through their scriptures. His marvelous birth and wonderful offering at the cross was not concealed for Jews. There shall arise a star from Jacob and a man from Israel, and he shall break in pieces the rulers of Moab. (Numbers 24: 17) Scripture very well foretells his death at the cross and says. A man that is afflicted and knows how to bear weakness, for His face is turned away. He was dishonoured and not considered, He bears our sins and suffers for our sakes. And we for our part thought Him distressed and afflicted and ill-used; but it was for our sins that He was wounded and for our lawlessness that He was made weak. Chastisement for our peace was upon Him, and by His bruising we are healed. (Isaiah 53: 3-5). Scriptures spoke about the coming of the Lord Jesus Christ (the Word of God) right from the book of Genesis, throughout the Old Testament. No other prophet or any other personality in the Old Testament ever claimed that they are the Word of God or never displayed any heavenly property of the son of God. In spite of having various crystal clear prophesies and other proofs about the birth, death, resurrection, and the purpose and nature of life of son of God, Israel did not believe in Christ Jesus (the Word of God). Considering the case of the unbelief of the gentiles, they also refused to believe the son of God who came to earth for their sake too. Rather they opted to offer their worship and reverence to their own hand-built idols. They felt the concept of manifestation of Word of God into flesh very incredible. It is unknown why they refused to disbelieve the power of God in word (Christ Jesus) if they really love to believe the truth. If the Word of God exists in this universe and exists everywhere, why should people disbelief the concept that Word of God coming in human form that is far better accessible than any other form. Athanasius concludes his talk by mentioning about the significance of the belief in Christ. The significance of the theological uttering of his study was very much evident in the 4th Century which was the period of the true establishment of Christianity throughout the world. The period was a time of great tribulation too. Athanasius concludes his study by telling that Son of Man (the Word of God) came to earth with a beautiful gift of salvation with complete protection from judgment. The arrival, death and resurrection of Christ Jesus broke all the strands of sin, and corruptibility and made Satan surrender before God with all his powers and weapons. Everyone who believes in Christ Jesus (Word of God) will be given eternal life and the incorruptible heaven on the second coming of the Lord Jesus Christ. Faith in Jesus Christ (Word of God) is the very basic and ultimate condition of salvation in the New Testament. Jesus during his ministry in the earth proclaimed that whoever believes in him will not perish but will have eternal life. Christ promised that he would come again for his chosen ones very soon. He himself says, I say unto you, hereafter ye shall see the Son of Man seated on the right hand of power, coming on the clouds of heaven in the glory of the Father. (Matt. 26: 64) If you need custom essays, research papers, thesis, dissertation, term paper on Religion, Theology or other discipline feel free to contact our professional custom writing service.

Environment Essay Example | Topics and Well Written Essays - 1000 words

Environment - Essay Example I don’t think there is any evidence to support this idea. There are certainly people in the world who lead decent, secure, happy lives. But there are also many who do not. In order to have a good life it is important to have your material considerations taken care of—shelter, food, clothing. It is also important to have a sense of dignity and purpose. A happy person is one who sets goals that can be achieved; not impossible pipe dreams that will always disappoint. Sadly, many people in the world do not have the opportunities we have in the West. One of the biggest factors in examining environmental impacts is heavy industry. I would look at how many factories a rich country has versus a poor country. Countries that do a lot of manufacturing, especially products like chemicals, often pollute more than countries that have an economy based on financial services, for example. Another important factor would be environmental legislation to prevent companies from easily polluting. Usually rich countries have better, stronger laws that have developed over time. Rich countries are usually democratic countries that listen to lobby groups like environmentalists. Many poor countries are dictatorships where the ideas and opinions of only one man rule. Ecosystem are often defined as a matter of convenience because we cant study everything at once. How would you describe the characteristics and boundaries of the ecosystem in which you live. In what respect is your ecosystem an open one? I would say the ecosystem I live in is an urban one made up mostly of people plus some rats and pigeons and bacteria. It is a distinct ecosystem with clear boundaries—aka the city limits—but it is not closed. Food and animals and people enter it everyday, some for their jobs, other because of trade. Birds fly in and worms cross through the earth to enter. Also waste products are constantly

Class activity Essay Example | Topics and Well Written Essays - 250 words

Class activity - Essay Example In view of this, executives must understand that they have a legal and moral responsibility to implement preventive measures to eliminate harassment. Case Analysis: Will teams work 1. The managers must be trained on the technical aspect of the job. Training on productivity and how to motivate the workers should be given to the managers. This will be very helpful to them in creating a workplace conducive to productivity. 2. The managers should be competent in the technical know-how. They should not only be results-oriented but also learn to appreciate the efforts applied on the job. Team work should also be emphasized. These competencies will help motivate the workers more. 3. The managers should be trained first and foremost on the technical aspects in the automobile parts manufacturing. This will take around six months to one year. Training on human relations is essential so they will learn to deal with the factory workers and eventually learn to motivate them; thus, making them mor e productive. This training will probably take one month. 4. One of the alternatives to management development is the development and training of the factory workers.

Luxury Brand Marketing Essay Example for Free

Luxury Brand Marketing Essay While the word ‘luxury’ is used in daily lives to refer to certain lifestyle, the underlying construct’s definition is consumer and situation specific. If you earn less than 15000 a month, a pair of reebok shoes would be a really big luxury item for you. On the other hand, if you are going to a party with some big-wigs a $100,000 car may not be a luxury. The word luxury originates from the Latin term â€Å"luxus† signifying, â€Å"soft or extravagant living, indulgence, sumptuousness or opulence† The meaning of luxury is extremely subjective and multidimensional in nature. It depends on dimension such as high price, high quality, uniqueness, exclusivity etc. What is a luxury product? In economic terms, luxury products are those who can consistently command and justify a higher price than products with comparable functions and similar quality. In marketing term, luxury products are those who can deliver emotional benefits which is hard to match by comparable products. The luxury sector targets its products and services at consumers on the top-end of the wealth spectrum. These self-selected elite are more or less price insensitive and choose to spend their time and money on objects that are plainly opulence rather than necessities. For these reasons, luxury and prestige brands have for centuries commanded an unwavering and often illogical customer loyalty. Luxury and prestige brands such as Rolex, Louis Vuitton and Cartier represent the highest form of craftsmanship and command a staunch consumer loyalty that is not affected by trends. These brands create and set the seasonal trends and are also capable to pulling all of their consumers with them wherever they go. Premium brands are those brands like Polo Ralph Lauren, Calvin Klein and Tommy Hilfiger that aspire to be luxury and prestige brands but their marketing mix strategies are more attuned to a mass market, albeit a luxury mass market. They are also termed as mass-premium brands or mass-luxury brands. Fashion brands on the other hand are those that address the masses. Strategies for Luxury Marketing There are conventional foundations for ensuring success of a brand and they are listed below in brief : 1. The brand must be â€Å"expansive†. Which means it should be full of innovation opportunities for the marketer and in terms of satisfying the divergent needs of the luxury consumer 2. The brand must tell a story It is this story, of either heritage or performance or other aspects that goes on to build the aura of a brand over time. The story always accentuates the identity of the brand. 3. The brand must be relevant to the consumers’ needs Depending upon the mindset of the luxury class, it is imperative for a brand to satisfy those needs, whether they be for recognition or functional use etc. 4. The brand must align with consumers’ values A brand that does not concur with the basic values of a consumer’s society has a small chance of succeeding because luxury items are forms of expression or identification for a luxury consumer. This makes it difficult for the consumer to adopt the brand in such cases. 5. The brand must perform Irrespective of which category the brand belongs to, a performance assurance is a must for the brand if it wishes to be in the evoked set of luxury consumers, considering the price being paid for luxury. LUXURY brand marketing CONCEPTS: Socialite as a Conductor In 2006, when Christian Dior chose Chawla as its spokesperson, everyone was shocked some secretly jealous. Chawlas association: to be the face of the brand, be seen in Dior in the right circles, host events attended by the right people and generally hobnob with the circle that she already moves in. The money details are not clear people in the circuit and in the luxury industry say its part financial, part goodies. But it might be working. Chawla says, Dior has done incredibly well with a consistent rise in sales. It is the most visible brand in India with the highest recall value in terms of marketing strategies implemented. Socialites being signed up for a fashion brand is not new, at least not in the West, says former fashion editor and luxury specialist Sujata Assomull-Sippy. She mentions Armanis 19-year-old association with British semi-royal and socialite Lady Helen Taylor that started when he designed her wedding gown in 1992. The association ended in 2009. Taylor, who was also the face for Bulgari, gave a sigh of relief and was glad to give up her uniform. Six years hence, Chawla is nowhere close to hanging up her Dior couture. The Mohan for Gucci buzz has engendered new aspirations in the circuit that goes beyond the hostess or the grander-sounding luxury consultant tags. The socialite is becoming more important in a luxury brands marketing strategy as she pulls in the right kind of crowd, says Priya Sachdev, creative director for TSG International Marketing that has brought brands like YSL, Diane von Furstenberg to India. Nichevertising Brand consultant and strategist Harish Bijoor of Harish Bijoor Consults loftily terms it nichevertise vs massvertise. According to him the luxury brands are not for mass consumption and shouldnt be mass advertised. The social circuit gives them a fresh channel to reach out to their target audience without any noise. The socialite model of marketing targets the guest lists minus the hard sell, he says. Personal voice- distinct style Every luxury brand needs to develop a marketing strategy that not only helps them achieve their marketing goals, but is also in line with their brand. For example, while it makes sense for Christopher Bailey from Burberry to update the Burberry Facebook page with short videos he makes or music he supports, the same type of strategy might not work for someone like Bentley or Rolex. Bijoor says that for luxury brands, sell is a four-letter word and not just literally and thats why they aim at buy. Luxury brands like to be bought, not sold, he says. Sell is a top-down strategy which involves an element of shout you asking consumers to consider you. Buy, instead, is a pull-oriented strategy. Luxury brands love pull not push, he explains. This is ideal for the socialite marketing where the conversation with the brand is more visual and not aural.

Social Classes Of Mid-Victorian England :: European Europe History

Social Classes Of Mid-Victorian England In the Mid-Victorian period in English history there were distinct class differences in its society. There were three classes in England. These were the Aristocracy, the Middle-Class (or Factory owners) and the working class. Each class had specific characteristics that defined its behavior. These characteristics were best seen in four areas of British society. During the time-period known by most historians as the Industrial Revolution, a great change overtook British culture. Aside from the political and economic change which occurred, a profound social alteration transpired. The populace seeking to better their lives, sought employment in newly-formed industries. Many of the workers which included women and children, labored through 12 hour work shifts, with poor nutrition, poor living conditions and completing tedious tasks1. These factors, accompanied by various ideological precepts by Britain's intellectual community, and those concepts imported from France, provoke a crucial social evolution. Though no government was overthrown, a distinct transformation took place causing rebellious behavior to erupt among the working class. This essay will address the questions of how and why this behavior was expressed by the lower order of British society. It will also discuss methods the ruling class used in suppressing and controlling the rebel lious behavior exhibited by the working class. The middle class held to two basic ideologies that served in the exploitation of the lower order of the British society. Richard Atlick identified them as Utilitarianism (or Benthamism) and Evangelicalism. Both served the self-interested inclinations of the middle class. Utilitarianism created the need to fulfill a principle of pleasure while minimalization pain. In the context of the "industrial revolution" this meant that the pleasure extracted from life would be at the working classes' expense. This provided a perfect justification for the middle class to capitalize on. The working class of Britain, throughout the industrial revolution and through the Victorian age, acted in a defiant manner toward both the aristocracy and middle class. This behavior extended from the everyday activities of the workers to radical anarchist movements that categorized the underground. The middle class seemed to be just as familiar with the inverse of Benthamism as they were with its normal application. The pleasure principle was measured in terms of minimalization of pain. If the sum of pain, in a given situation, is less than the sum of pleasure, than it should be deemed pleasurable. The inverse principle applied to the working class was how pain (work) can be inflicted, with the absolute minimum distribution of pleasure (wages), without creating an uprising.

History of Art – Cubism

Historical Account Cubism is a part of the abstraction period of modern art in the beginning of the twentieth century. There was a series ‘isms' that influenced each other and came quickly in the modern world of art. These include Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Division and Symbolism. It was believed to be started with Picasso and Baroque in 1907. Cubism was a movement of modern artists going against the accepted style of paintings and pushing the boundaries of what was modern art.The Impressionists and Realists of the late 19th century started to paint more everyday items and in a ore spontaneous fashion, in contrast to the classical period which came before. Immediately before cubism were artists like Cezanne and Serrate who were considered to be post impressionists who were converting impressionism into a more classical style. Then Van Gogh wanted to express more emotion in his art than the impressionists had, and his style started to develop including vivid colors and bright landscapes.Art in the modern world moved from telling stories and depicting important historical occasions, to a more personal approach from the artist. The artist wanted to explore their emotions, the everyday and play with form, perspective and composition These colors and need to express emotions led to different movements of expressionism, the Fauves (wild beasts) which had artists including Van Gogh and Gauguin, German expressionism was more extreme, Abstraction came after this and cubism was one of the forms that led heavily from it.During 1908, Baroque and Picasso realized they were working towards the same ideas and decided to work together until 1914. Their principal subject became the still life. They experimented with painting and sculpture to express and challenge the way objects are represented. What you see depicted in a cubist work is not a realistic representation of the object, but a flattening of the planes that make up th e object from different directions in a strong geometric fashion.The artist no longer relied on the renaissance principals of geometric perspectives. The painter was free to explore a different visual reality and to challenge the viewer in what they were seeing in a two dimensional form. By 1909 Picasso began to break individual forms into smaller faceted shapes. For example the head had each feature as its own carefully modeled form. â€Å"The paintings and drawings of 1909 are works which give rise to the word cubism when Picasso was accused of dividing his pictures into ‘little cubes'. In 1910 Picasso made a breakthrough where the figure was seen or represented as transparent planes that locked together which allowed the eye to pass through them to the picture behind so the pictures had a more sculptural element. The movement ended in 1914 as Picasso was a prolific painter and continued to explore other ways of expressing himself. There was a turn towards realism again in 915 to 1920. Critical Account – The Women of Avignon This painting is a particularly important work in the development of cubism and Picasso artistic Journey.The picture is grounded in tradition and yet challenges the viewer with new perspectives and treatment of color and form. Picasso starts with the classical grouping of the three figures on the left. Their placement and gestures and semi nude attire seem to be familiar and are drawn from the images of the late Renaissance of the three graces. Picasso uses this familiarity to lure the viewer in but then starts to play with perspective, proportion ND color to challenge and represent a new way of viewing.Picasso has distorted the figures, using angular planes and we can see the beginnings of the different perspectives represented in the arms and faces of the figures. He uses flesh colored tones for the figures but in a very flat way rather than the traditional gently coupled tones of classical realism that leads to the repre sentation of the three dimensional figure on the two dimensional canvas. The shading and abstract nature of the shapes used meaner that they are very much in the modern world.We can see an example of this shifting of the perspective in the two central figures where the eyes are different sizes, the noses are off-set and the shape of the ears is distorted. As we look at the body of the three figures and the draping, we start to see flat geometric shapes and the beginning of the cubist treatment of the human figure. When we look at the small still life of fruit in a bowl at the bottom of the painting, we see the flattening of perspectives emerging. If this were a real representation of fruit in a bowl they would be effected by gravity.This representation makes the viewer eel anxious, waiting for the fruit to fall. In this way Picasso creates tension and expresses emotion through the distorted perspective. Picasso had a very difficult relationship with women and in the painting he repr esents women very differently between the group of three on the left, and the group of two on the right hand side. The three classical figures are more sympathetic and easy on the eye for the viewer, but there is dark shadows on the figures in the far left that hint at darker emotions.The figures on the right are more fully abstracted and show the influence of African ribald masks and paintings. The colors are not sympathetic, classical nude colors, but instead brighter and harsher reds, blues and greens. These women are confronting and convey a strong emotion for the viewer, but this destruction of form is not accidental but quite methodical. Everything in the picture is broken up into angular wedges and facets. Having said that these shapes are not flat but are shaded in such a way to give some sense of the third dimension. These sharp angles and edges, voids and solids, led to this movement being dubbed as cubism. History of Art – Cubism Is a part of the abstraction period of modern art In the beginning of the twentieth century. There was a series ‘Isms' that Influenced each other and came quickly In the modern world of art. These Include Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Dolmen's and Symbolism. It was believed to be started with Picasso and Braque's in 1907. Cubism was a movement of modern artists going against the accepted style of paintings and pushing the boundaries of what was modern art.The Impressionists ND Realists of the late 19th century started to paint more everyday items and in a more spontaneous fashion, in contrast to the classical period which came before. Immediately before cubism were artists like Cezanne and Serrate who were considered to be post Impressionists who were converting Impressionism into a more classical style. Then Van Gogh wanted to express more emotion in his art than the impressionists had, and his style started to develop Including vivid colors and bright landscapes.Art In the modern world moved from telling stones and depleting important historical occasions, to a more personal approach from the artist. The artist wanted to explore their emotions, the everyday and play with form, perspective and composition These colors and need to express emotions led to different movements of expressionism, the Fauves (wild beasts) which had artists including Van Gogh and Gauguin, German expressionism was more extreme, Abstraction came after this and cubism was one of the forms that led heavily from it.During 1908, Braque's and Picasso realized they were working towards the same Ideas and decided to work together until 1914. Their principal subject became the still life. They experimented with painting and sculpture to express and challenge the way objects are represented. What you see depicted in a cubist work is not a realistic representation of the object, but a flattening of the planes that make up the object from different d irections in a strong geometric fashion.The artist no longer relied on the renaissance principals of geometric perspectives. The painter was free to explore a different visual reality and to challenge the viewer in what they were seeing in a two dimensional form. By 1909 Picasso began to break individual forms into smaller faceted shapes. For example the head had each feature as its own carefully modeled form. â€Å"The paintings and drawings of 1 909 are works which give rise to the word cubism when palaces was accused of dividing his pictures Into ‘little cubes'. In 1910 palaces made a breakthrough where the figure was seen or represented as transparent planes that locked together which allowed the eye to pass through them to the picture behind so The movement ended in 1914 as Picasso was a prolific painter and continued to explore other ways of expressing himself. There was a turn towards realism again in 1915 to 1920. Critical Account – The Women of Avignon This pa inting is a particularly important work in the development of cubism and Picasso artistic Journey.The picture is grounded in tradition and yet challenges the viewer with new perspectives and treatment of color and form. Picasso starts with the classical grouping of the three figures on the left. Their placement and gestures and semi nude attire seem to be familiar and are drawn from the images of the late Renaissance of the three graces. Picasso uses this familiarity to lure the viewer in but then starts to play with perspective, proportion and color to challenge and represent a new way of viewing.Picasso has distorted the figures, using angular planes and we can see the beginnings of the different perspectives represented in the arms and faces of the figures. He uses flesh clouded tones for the figures but in a very flat way rather than the traditional gently suspected tones of classical realism that leads to the representation of the three dimensional figure on the two dimensional canvas. The hading and abstract nature of the shapes used means that they are very much in the modern world.We can see an example of this shifting of the perspective in the two central figures where the eyes are different sizes, the noses are off-set and the shape of the ears is distorted. As we look at the body of the three figures and the draping, we start to see flat geometric shapes and the beginning of the cubist treatment of the human figure. When we look at the small still life of fruit in a bowl at the bottom of the painting, we see the flattening of perspectives emerging. If this were a real representation of fruit n a bowl they would be effected by gravity.This representation makes the viewer feel anxious, waiting for the fruit to fall. In this way Picasso creates tension and expresses emotion through the distorted perspective. Picasso had a very difficult relationship with women and in the painting he represents women very differently between the group of three on the le ft, and the group of two on the right hand side. The three classical figures are more sympathetic and easy on the eye for the viewer, but there is dark shadows on the figures in the far left that hint at darker emotions.The figures on the right are more fully abstracted and show the influence of African tribal masks and paintings. The colors are not sympathetic, classical nude colors, but instead brighter and harsher reds, blues and greens. These women are is not accidental but quite methodical. Everything in the picture is broken up into angular wedges and facets. Having said that these shapes are not flat but are shaded in such a way to give some sense of the third dimension. These sharp angles and edges, voids and solids, led to this movement being dubbed as cubism.

Psychology Theories And Techniques Of Counseling - 1262 Words

â€Å"Oh, so you’re gonna be a counselor then,† is often the question I hear after telling people I am majoring in psychology. This used to bother me. It bothered me because it comes off as people not being aware of all the other career paths a person can pursue with a psychology major. That is, until Theories and Techniques of Counseling†¦ Before I became a psychology major, I was studying social work. Even though I couldn’t seem to find my niche within the major, I was grateful for the introduction to empathy and aspects of counseling. It was like a candle began to catch fire and after reading Martin and Yalom, studying about different therapeutic approaches, listening to guest speakers, and practicing counseling techniques in class, the illumination of therapy began to warm my entire being. Regarding the aspects of the course, there is not one aspect that I did not find meaningful or educational. The texts chosen, â€Å"Love’s Executioner† a nd â€Å"Counseling and Therapy Skills†, showed a spectrum of therapy experience, wide range of methods and theories, and in their own ways, remarkable honesty. Having to write reaction papers for every other chapter was an excellent way to 1) make sure students are keeping up with reading, and 2) delve deeper into the assigned chapters by forcing us to write about similarities or differences between texts, as well as connections to reality. The requirements for the reaction papers, like the length, subject, and questions, were very practicalShow MoreRelatedIn this compare and contrast paper I will highlight the differences and commonalities1167 Words   |  5 Pagescommonalities between Larry Crabb’s biblical model of counseling, theories, and techniques of Rodgerian theory called Rodgers’ Client-Centered Therapy (RCCT), Rational Emotive Behavior Therapy (REBT), and Cognitive-Behavioral Therapy (CBT). 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